The
Rokeby Venus is a painting by
Diego Velázquez, the leading artist of the
Spanish Golden Age, in the
National Gallery, London. Completed between 1647 and 1651, and probably painted during the artist's visit to Italy, the work depicts the goddess
Venus in an erotic pose, lying on a bed and looking into a mirror held by the god of sensual love, her son
Cupid. Numerous works, from the ancient to the baroque, have been cited as sources of inspiration for Velázquez. The nude Venuses of the Italian painters, such as
Giorgione's Sleeping Venus (c. 1510) and
Titian's Venus of Urbino (1538), were the main precedents. In this work, Velázquez combined two established poses for Venus: recumbent on a couch or a bed, and gazing at her reflection in a mirror. In a number of ways the painting represents a pictorial departure; through its central use of a mirror, and because it shows the body of Venus turned away from the picture's viewer.
The Rokeby Venus is the only surviving female
nude by Velázquez. The painting adorned the houses of Spanish courtiers until 1813 when it was brought to England to hang in
Rokeby Park,
Yorkshire. In 1906, the painting was purchased by
National Art Collections Fund for the National Gallery, London. Although it was attacked and badly damaged in 1914 by the
suffragette Mary Richardson, it was soon fully restored and returned to display. (
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